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Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

My dream job

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Storytelling

The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.

Let’s dance

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Every flap, fold and bulge

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Portrait Donors

To arrive at hope

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Noel McKenna

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

Movement is my radar

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Mental as everything

Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

In and out of focus

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.