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Rock art

Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.

Seduce Amuse Entertain

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Australians in Hollywood

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Seduce and Destroy

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Bewitching

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

My dream job

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Let’s dance

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Every flap, fold and bulge

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Movement is my radar

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Mental as everything

Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

In and out of focus

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.