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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Irina Baronova (handing on the baton)

Handing on the baton

Magazine article by Michael Desmond, 2009

Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

masculine/feminine, 2010 by Bridget Mac
NYSPP 2010 winner

Eyes on the Prize

Magazine article by Joanna Gilmour, 2010

A short visual essay of some of the works in the National Youth Self Portrait Prize 2010.

Battye Blue, 2005 by Phoenix Battye

1 to 6

Magazine article by David Sequeira, 2005

The National Portrait Gallery's annual survey of student self portraiture highlights the processes of personal inquiry through portraiture by students from all levels across Australia.

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Self portrait

A Singular Line

Magazine article by Simon Elliott, 2003

A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.

Ken Catchpole

Full time

Magazine article by Alistair McGhie, 2017

Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.

Losing Faith, 2004 by Alexandra Cody

Time is precious

Magazine article by David Sequeira, 2004

Headspace5: Crystal Gazing highlighted the diversity of materials and techniques that young people use for self expression. David Sequeira presents a personal view of three works in the exhibition.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Tariro, 2010 by Rod McNicol

Village people

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman discusses Rod McNicol's photographic portrait series Newcomers to my village.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Ron Grainer

Dr Who?

Magazine article by Simon Elliott, 2002

It is not well known that the person who composed the famous theme music for the BBC's Doctor Who series was Australian Ron Grainer.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency