Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Jude Rae contemplates the portrait commission.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
