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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Aung San Suu, 2009 by Shepard Fairey

OBEY

Shepard Fairey Posters
Previous exhibition, 2009

Shepard Fairey is best known for his iconic poster Obama/Hope which he made in support of Barack Obama for the 2008 US election.

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Penn on paper

Magazine article by Michael Desmond, 2009

Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Guns and roses, 2006

Obey

Magazine article by Michael Desmond, 2009

Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.

Handing on the baton

Magazine article by Michael Desmond, 2009

Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.

Black tie or wombat: How formal should I go?

Magazine article by Michael Desmond, 2008

Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.

Facing Australia, Composite portrait: Facing St Lucia, 2003

Conflicting images

Magazine article by Michael Desmond, 2008

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Alexander Pearce
executed for murder
July 19th 1824

Public hanging

Magazine article by Michael Desmond, 2008

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Lindy Lee - Birth and Death, 2006 by Robert Scott-Mitchell

National Photographic Portrait Prize 2007

Previous exhibition, 2007

Photography is the most pervasive and popular medium for portraiture and makes a natural fit with the Gallery, being a natural extension of the Gallery's longstanding commitment to photography as a contemporary portrait medium.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

The highest honour

Magazine article by Michael Desmond, 2007

Bringing eminent scientist Frank Fenner and artist Jude Rae together for the National Portrait Gallery commission was like matchmaking.

Portrait of a Man (Fred Williams), 1958

Head, hand, heart

Magazine article by Michael Desmond, 2007

An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency