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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hugh 2015, by Warwick Baker

Friends

About Face article

Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.

Vy (Cowsill) 2016 by Rozalind Drummond

Joyful sadness

About Face article

Rozalind Drummond’s photographs in the exhibition Tough and tender let us bring our imagination to the act of looking.

Miles and Arkie, 2015 by Clint Peloso

Shop Talk

Magazine article by Stephen Phillips, 2016

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

Divide (Self portrait)

Dissections

Layered portraits from the collection
Previous exhibition, 2016

This display sets two impressive portraits from the collection into direct dialogue: Sam Jinks’ sculptural self portrait and Nick Mourtzakis’ painted portrait of David Chalmers, along with related maquette and sketches.Together they explore physical and psychological manifestations of the strata of self-hood.

Koko & Kiko (42nd Street Series), 1980 by Larry Clark

Best buds

About Face article

It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in. 

Spencer 2016, by Warwick Baker

Tough & Tender

Previous exhibition, 2016

Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.

Bed piece, 1972 by Chris Burden

Chris Burden

Tough & Tender
General content

In the video in Tough and tender Chris Burden narrates his performance artworks characterised by focused attention to mind over physical body.

Nan and Brian in bed, New York City 1983 by Nan Goldin

Nan Goldin

Tough & Tender
General content

The photographs by Nan Goldin in Tough and tender are warm images of heartache and hope.

Dominik, First Tour, Backnang 2000 by Collier Schorr

Collier Schorr

Tough & Tender
General content

This is the first time Collier Schorr's photographs, which explore gender and identity, have been shown in Australia.

Billy Mann 1963 by Larry Clark

Larry Clark

Tough & Tender
General content

Larry Clark's black-and-white documentary images of young outsiders reveal raw feelings. 

Behind your eyes, between your ears

Brainwave interactive artwork by George Khut
Previous exhibition, 2016

As the subject changes the quality of their attention and mental focus, the portrait transforms, both appearance and sound.

Video still from Documentation of Selected Works, 1971-74 by Chris Burden

Danger boy

About Face article

I didn’t ever meet the American artist Chris Burden but about 20 years ago I wrote to him. I was after the loan of some photographic prints of his most famous performance: he had arranged for a friend to fire a bullet so it would graze his arm.

James Ford, 1979 by Robert Mapplethorpe

Apollo's breath

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Hugh 2015, by Warwick Baker

Warwick Baker

Tough & Tender
General content

The photographs in Tough and tender by Warwick Baker reveal intimate connections and moments of closeness. 

Vy (Cowsill) 2016 by Rozalind Drummond

Rozalind Drummond

Tough & Tender
General content

The photographs in Tough & tender by Rozalind Drummond evoke individual freedom and personal reflection. 

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency