The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
