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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change... NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

The family, c. 1955 Charles Blackman

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Barry Humphries, 1958 Clifton Pugh

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

Charles Teo, 2012 Adam Chang

Charlie's angles

Magazine article by Stephen Phillips, 2017

Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

Barry Humphries, 1958 Clifton Pugh

Uncommon Australians The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Madame du Barry, 1791 by Richard Cosway

Little women

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

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Portrait Donors Listed by year

Honour board
Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

We would like to thank our partners.
© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.