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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis, 2017

Jacqueline Mitelman

Portrait, type C photograph on paper

Commissioned with funds provided by Jim and Barbara Higgins, Sir Roderick Carnegie AC, Rupert Myer AO and Annabel Myer, Louise and Martyn Myer Foundation, Peter and Ruth McMullin, Diana Carlton, Professor Derek Denton AC, Harold Mitchell AC, Peter Jopling AM KC, Andrew and Liz Mackenzie, Patricia Patten, Tamie Fraser AO, Bruce Parncutt and Robin Campbell, Lauraine Diggins, Steven Skala AO and Lousje Skala 2017

National Portrait Gallery

History

How the National Portrait Gallery and its unique collection came to be

Indexing, the art of

About Face article

The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.

Barry Humphries

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.

William Shakespeare, c. 1600-1610 associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Director John Duigan and actor Judy Davis on the set of ‘Winter of our Dreams’, Sydney, 1981 by Robert McFarlane

Natural born stiller

Magazine article by Penelope Grist, 2016

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide, c. 1862

Stephen Edward Nixon

Portrait, carte de visite photograph

Purchased 2018

Gail Kelly

Gail Kelly, 2018

General content

Commissioned with funds provided by Westpac Group and Optus 2018

Andrew Gaze

Andrew Gaze, 2018

by George Fetting

General content

Commissioned with funds provided by Trent Birkett 2018

Skyhooks (Red Symons, Bob Starkie, Shirley Strachan, Greg Macainsh, Freddie Strauks) in Parker’s studio, Fitzroy, 1975 David Parker

Cool cool world

Magazine article by Penelope Grist, 2022

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Portrait of Ambrose Patterson

Velasquez Touch

Magazine article by Andrew Sayers AM, 2004

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency