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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Automatic for the people: Casey Stoner

Speed demon

Magazine article by Dr Christopher Chapman, 2009

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Lucy, 2001

Technical terminology

Magazine article by Michael Desmond, 2010

Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Untitled, 2020 Steph Fuller

The look and the feel

Living Memory exhibition essay
General content

Editor Stephen Phillips looks at the finalists' photographs through a judge's lens.

Studio of the American & Australasian Photographic Co., Hill End, 1872

A rogue's calling card

Magazine article by Joanna Gilmour, 2008

Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

About Face article

Penelope Grist charts an immersive path through Stuart Spence’s photography.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011
General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

Geo Face Distributor

Abstraction and figuration

Magazine article by Dr Christopher Chapman, 2009

James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Alan Goldberg

Beyond the bow tie

About Face article

Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.

Portrait of William Manning, c.1821 by Henry Bone

Of beef in burgundy

Magazine article by Angus Trumble, 2017

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

Untitled (girl on chair with red shoes) by Violet Frisby

Finding Mrs Frisby

Magazine article by Robyn Sweaney, 2016

Robyn Sweaney's quiet Violet obsession.

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Canberra, ACT 2600, Australia

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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency