![[Self-portrait], 1996](/files/5/e/2/e/i2030-slq.jpg "[Self-portrait], 1996")
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.
