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Making Portraits

The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery

Desperately seeking Sonia

Esther Erlich’s portrait of Lady McMahon.

Announcing... Portrait23: Identity

In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.

Time and light

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Natural, artistic and unselfconscious

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

2023 Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

The 2023 National Photographic Portrait Prize

Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.

In the round

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

My Favourite Australian

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

Fugue in Yellow

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Annual Appeal

Poets' Portraits

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Wicked but Virtuous

Faith Stellmaker shares pioneering artist and restaurateur Mirka Mora’s lasting legacy on Melbourne’s art, dining and culture.

Post digital

Tegan McAuley looks at the evolution of video portraiture.

To arrive at hope

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.