Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
How the National Portrait Gallery and its unique collection came to be
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
