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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Clifton Pugh and John Olsen, Dunmoochin

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography. 

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Adam Scott: at Sanctuary Cove Golf Course

Celebrities on the field

Magazine article by Christine Clark, 2006

Robin Sellick's portraits of Australian sportspeople include Harry Kewell, Adam Scott, Shane Warne, Mark Webber and John Newcombe.

Clive James

Golden Jubilee

Magazine article by Magda Keaney, 2002

Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.

Mark Richards

Off the wall

Magazine article by John Witzig, 2008
Photographer and surf mag editor John Witzig tells the stories behind his iconic surf images.
Ken Catchpole

Full time

Magazine article by Alistair McGhie, 2017

Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Self Portrait with sun damage, 2014 by Andrew Sayers.

At easel

Magazine article by Tim Bonyhady, 2016

Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.

Untitled No. 1 2010, by Fiona McMonagle

Observation point

Magazine article by Fiona McMonagle, 2016

Fiona McMonagle considers her reasons for painting portraits.

Aldo Giurgola

A Life in Service

Magazine article by Mandy Martin, 2005

Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Still from the series Hereinbefore, 2012

Hereinbefore

Magazine article by Alistair McGhie, 2013

Alistair McGhie talks with Laura Moore about her winning digital self portrait.

Portrait of Susan Wakil AO

About grace

Magazine article by Penelope Grist, 2020

Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.

Self portrait, 1970

Painters' paradise

Magazine article by Andrew Sayers AM, 2007

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

Numb to touch (self-portrait), 2018
 by Natasha Walsh

Observation point

Magazine article by Natasha Walsh, 2019

My practice has always been driven by my experimental curiosity, from heavy wax and resin bodies generated in flame, to delicate temporal works that explore the conductive and alchemical possibilities of copper.

Francis Bacon on Primrose Hill, 1963

Shadows of light

Magazine article by Mark Haworth-Booth, 2002

Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency