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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General information

Bed piece, 1972 by Chris Burden

Chris Burden

General content

In the video in Tough and tender Chris Burden narrates his performance artworks characterised by focused attention to mind over physical body.

Follow curator Chris Chapman on Instagram

General content

Dr. Chris Chapman's Instagram account is inspiration for the exhibition Tough & Tender.

Self portrait with Spots and Veins

2007 Acquisition Fund

Chris O'Doherty's self portrait was acquired in 2007 with the assistance of the Acquisition Fund.

Spencer 2016, by Warwick Baker

Tough & Tender Media Release

Archived media releases 2016

Photographs from internationally acclaimed artists Robert Mapplethorpe, Larry Clark, Nan Goldin, Collier Schorr and Chris Burden along with contemporary Australian artists, Rozalind Drummond and Warwick Baker will call the National Portrait Gallery home during our extraordinary winter exhibition Tough and Tender.

All that fall artist interviews video: 4 minutes

All that fall artist interviews

General content

Lawrence English, Ellis Hutch and Lee Grant talk about the works they created for All that fall.

Christopher Bassi standing in an empty office next to a large yellow painting

Christopher Bassi

Artists and Collectives

Known for his representational painting, Meriam and Yupungathi man Christopher Bassi, based in Meanjin/Brisbane, addresses issues surrounding cultural identity, alternative genealogies and colonial legacies.

Tim Flannery

Provocative talks on Saturdays in September

Archived media releases 2016

Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.

Maryan, 2010 by Rod McNicol

Rod McNicol

Archived media releases 2015

Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Artist in residence creates portraits using brainwave zctivity

Archived media releases 2016

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

Jacki Weaver

Jacki Weaver, 2018

by John Tsiavis

General content

Commissioned with funds provided by Marilyn Darling AC 2018

Tan Le

Tan Le, 2018

by John Tsiavis

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Cormac and Callum, 2008 by Ingvar Kenne

NPPP 2009 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Sammy Dodd

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency