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Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Lust for life

Celebrated Sydney-based photographer and performer William Yang was commissioned by the National Portrait Gallery to produce a new performance work that premiered at the opening of the Gallery's new building.

Miscellaneous obsessions

William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.

Sir William Dargie CBE

Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.

The house, the horse, the wife and the offspring

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

High & Bligh

Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

The Changing Face of the Scientist

Scientists tend to conjure up images of men in white coats in labs but this is just one stereotype in an evolving history of how we have perceived scientists, and how their profession has been understood over the years.

The Wentworths – Hidden in Plain Sight

Grace Carroll on the gendered world of the Wentworths.

The bright-eyed Mariner

Picture this...

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

In the thick of it

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

The importance of being bearded

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

South-bound and down

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

Private virtues public lives

Family affections are preserved in a fine selection of intimate portraits.

Portrait 29

This issue of Portrait Magazine includes William Bligh, Lionel Rose, Richard Larter, Layne Beachley, William Yang and more.

Portrait 46

This issue features Richard Avedon, Tracey Moffatt, Indigenous portraiture, William Kentridge, roller derby and more.

Portrait 27

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

Portrait 9

This issue of Portrait Magazine features Deborah Mailman, the Presence and Absence exhibition of portrait sculpture, Sir William Dargie and more.

Portrait 32

This issue features Vanity Fair, Nancy Bird Walton, William Barak, Sidney Kidman, Benjamin Duterrau's portraits of the Indigenous peoples of Tasmania, and more.

Old Blighty

Angus Trumble ponders the many faces of William Bligh.

Barak, respected elder

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

Portrait 67

William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.

Encounter at Kintore

Photographer Hari Ho describes the creation of his portrait of Papunya Tula artist Makinti Napanangka.

Pre-Raphaelite Profile

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Cook in context

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

Pretty in peach

The Wonder Years

Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.

The last word

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

A gift for all ages

The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.

Desperately seeking Sonia

Esther Erlich’s portrait of Lady McMahon.

Empire records

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Paper weight

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Poison pen

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

The Fairfax Gift

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

The spirit of the gift

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Celebrity cutpurse

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Observation point

Tim Storrier describes the influences on the development of his artistic style.

101 photographic portraits

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Sketches and sermons

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Around the grounds

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

In bloom

Susi Muddiman delights in Michael Zavros’ stunning portrait of the honourable Dame Quentin Bryce AD CVO.

A nose by any other name

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

Figurative foundation

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

Alternative virtue

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

It's a Mora!

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Portrait of a patron

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

The shipwright's arms

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

The real Thea

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Courage, Self-analysis and Skill

The story behind George Lambert's Self-portrait with Gladioli.

The Lawrence lustre

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Imagination

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Chance encounter

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

The elegant thinker

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

City boys

Christopher Chapman immerses himself in Larry Clark’s field of vision.

The animating signature

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

The first nurse

Tamsin Hong recounts the tale of Marion Smith, the only known Australian Indigenous servicewoman of World War One.

Strutt your stuff

Matthew Jones on the upshot of a St Kilda Road outrage.

Rethinking foundational histories

A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.

Facing Facts

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

The alchemist’s profile

John Zubrzycki meets Australian paint pioneer Jim Cobb.

In the round

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.

My Favourite Australian

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

Queen of cartes

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Mrs Cameron and the V&A

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Confessional conversations

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Great Scots

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

All the way with K of K

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

Big it up

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Where the wild things are

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Life class

Barbara Blackman reflects on her experiences as a life model.

Material culture

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

A potpourri of portraits

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

To the end of the earth

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Anatomist's eye

Robert Hannaford has completed around 400 portraits over the span of his career. 

Corporate Characters

A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.

First encounters

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

A new perspective

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Secure the shadow ere the substance fade

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

The Philosophy of Teapots and Ducks

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Expect the unexpected

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

I'm not there

Peripheral vision

Aimee Board chats to emerging photographer Charles Dennington.

The Dissecting Room

Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture. 

Reveries

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

Be bold

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Melbourne experience

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

Love my way

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Seduce Amuse Entertain

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Northern exposure

Phil Manning celebrates a century of Brisbane photographic portraiture.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Meeting by Murder

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

Little women

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

An actress and her fans

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

Vanity fair

Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.

Suave

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Snap chat

2019 National Photographic Portrait Prize judge Anne O’Hehir looks beneath the surface of this year’s entries.

Through thick and thin

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Political profiles

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

No small wonder

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.

The right note

Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.

Tiny Trace of a Colonial Giant

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Good, bad and the ugly

Michael Desmond explores what makes a portrait subject significant.

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Enigma

Grace Carroll contemplates the curious case of Christian Waller.

Canadian identities

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Mother’s muse

Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.

Kiwi magpie

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

The jungle look

David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

The portrait writ large

Karen Vickery on Chang the Chinese giant in Australia.

Illuminating history

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Lauded legacy

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Lovingly observed

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

In a good paddock

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Getting a head

Alexandra Roginski gets a feel for phrenology’s fundamentals.

The incomparable Beaton

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Starry knight

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

The Vanity model

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

The family scene

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

In the flesh

An exhibition of humanness in ten themes by Penelope Grist.

A sketch for some portraits

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Getting bare

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Jewelled nights

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Study in scarlet

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Painting writing

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

You are who?

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.