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Immediately, there was a crackle

A meeting of minds

The artist and the doctor

Art, war, scandal

Hearts and craft

The long game

Of Burke, Wills ... and wills

Infatuation and (ill-fated) exploration

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

All the world's a stage

Joan Sutherland, Robert Helpmann and Raigh Roe

Tough & Tender Media Release

Photographs from internationally acclaimed artists Robert Mapplethorpe, Larry Clark, Nan Goldin, Collier Schorr and Chris Burden along with contemporary Australian artists, Rozalind Drummond and Warwick Baker will call the National Portrait Gallery home during our extraordinary winter exhibition Tough and Tender.

Shifting the definition

Defiant commitment

Bangarra brothers: songman, storyteller, dancer

Creative kin

Honour board

The National Portrait Gallery acknowledges and thanks all its supporters.

2013-14 Acquisition Fund

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

2012-13 Acquisition Fund

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

National Photographic Portrait Prize 2018 winner announced

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Alienation

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

2014-15 Acquisition Fund

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Oz Punk

In 1976, without having been blooded on the Sydney or Melbourne pub circuit, The Saints recorded a single – ‘(I’m) Stranded’ – earning them the distinction of releasing a punk single before The Sex Pistols did.

Alex Frayne

An interview with the photographer.

Protest!

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

Brenton McGeachie

An interview with the photographer.

Dancer

From letting loose in the loungeroom to enthralling audiences on stage, this exhibition celebrates dance and dancers.

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Arianne McNaught

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

2021 Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

Welcome home, Captain Bligh

The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.

National Photographic Portrait Prize 2018

Images for media use will be available from 8 March 2018.

L. Gordon Darling AC CMG

The Chairman, Board, Director and all the Staff of the National Portrait Gallery mourn the loss of our Founding Patron, who died peacefully in Melbourne this morning. He was 94.

The 1850s to the 1880s

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

The 1950s to the present day

Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.

John McRae

An interview with the photographer.

NPPP 2009 exhibition essay

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.

Portrait Donors

History

How the National Portrait Gallery and its unique collection came to be

Annual Appeal

Arianne McNaught

An interview with the photographer.

Seduce, Amuse, Entertain

Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.

Uncommon Australians

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Some prime ministers

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Nicholas Harding: 28 Portraits

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

The Bare story

Curator, Penny Grist, reveals how this exhibition came to be

NPPP 2016 exhibition essay

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Rick Amor: 21 Portraits

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Less than six degrees of separation

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.