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12 Untitled Self Portraits (Set 3), 1990

Gift of Sara Kelly 2010. Donated through the Australian Government's Cultural Gifts Program.

Prime minister, 2018

Emma Lee – flight

Mike Smith, 2007 (printed 2013)

Collection: National Portrait Gallery
Gift of Peter Eve 2013

Mike Parr, 1995

Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.

Richard Bell, 2009

Collection: National Portrait Gallery
Gift of the artist 2011
Donated through the Australian Government's Cultural Gifts Program

Mike Brown and Liz Land in Kitchen, 1993

Collection: National Portrait Gallery
Purchased 2004

Mike Low

Eddie Mabo (after Mike Kelley's 'Booth's Puddle' 1985, from Plato's Cave, Rothko's Chapel, Lincoln's profile) No.3, 1996

Purchased with funds provided by L Gordon Darling AC CMG 1999

Album of cartes de visite and cabinet card photograph including a portrait of John Tebbutt, c. 1870s

Gift of Mike MacPhail 2010

Panel discussion

A dynamic panel discussion that interrogates some of the themes revealed in Living Memory.

Jeanne Little, 1994 (printed 2021)

Purchased 2021

Inner Worlds

Portraits of Australia’s pioneering psychologists and artworks by artists fascinated by the subconscious mind.

Observation point

Artist Kate Beynon reflects on the place of portraiture in her artistic career.

2012-13 Acquisition Fund

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

The Possibilities of Portraiture

What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.

Supporters

George Spartels, early 1970s

Collection: National Portrait Gallery
Gift of the artist 2019

Shane Warne, 2006

Purchased 2006

Wendy Whiteley in conversation with Janet Hawley

Wendy Whiteley in candid conversation with Janet Hawley to celebrate the release of the book Wendy Whiteley and The Secret Garden.

National Photographic Portrait Prize 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Observation point

Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.

To Look Within

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Reflections on portraiture

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

Uncommon Australians

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

The intellectual larrikin

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

Annual Appeal

Someone to watch over you

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

Is the truth of portraiture vested exclusively in likeness?

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Look who's coming to dinner

Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.

Top shot that

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Less than six degrees of separation

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Portrait Donors

Drawing inspiration

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Anna Culliton

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Inner Worlds and psychoanalysis

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

The art of Inner Worlds

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.