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Hail Cézanne

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

The alchemist’s profile

John Zubrzycki meets Australian paint pioneer Jim Cobb.

Risky business

John Zubrzycki lauds the characters of the Australian escapology trade.

Artists' space

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.

Humour’s warm refuge

Angus Trumble pays tribute to John Clarke.

Clay, water, fire

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.

Portrait of the artist as a young man

Dr Sarah Engledow explores the early life and career of John Brack.

Birds of a feather

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Head, hand, heart

An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.

Somewhere to hang your cap

A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.

Hearts of Darkness

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

Lear unbuttoned

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

String of Pearls

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

Lauded legacy

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Capturing Cook

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

Meeting by Murder

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

The importance of being bearded

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

South-bound and down

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

Celebrities on the field

Robin Sellick's portraits of Australian sportspeople include Harry Kewell, Adam Scott, Shane Warne, Mark Webber and John Newcombe.

Melbourne experience

Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.

Bonfire of the vanities

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Three Dimensional

Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.

Thousand mile stare

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Inspiration + Realisation: John Singer Sargent

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Portrait 49

This issue features Jude Rae, Arthur Boyd, Darren McDonald, John Singer Sargent, Tom Wills the 'inventor' of Australian Rules Football and more.

Portrait 45

This issue features Paul Kelly, Rineke Dijkstra, John Brack, the National Photographic Portrait Prize and more.

Portrait 24

This issue of Portrait Magazine features Robert Hannaford, Walter Lindrum, John Brack, judicial portraits, Vincent Lingiari and more.

Portrait 14

This issue of Portrait Magazine features the exhibition Masters of Fare, Greg Weight's photographic collection, John Elliott, Barbara Blackman and more.

Portrait 38

This issue features Martin Schoeller, Bess Norriss Tait, Emanuel Solomon and the sisters of St Joseph, Rennie Ellis and AC/DC, John Brack and more.

Portrait 27

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

Portrait 2

This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.

Portrait 15

This issue of Portrait Magazine features the exhibition The world of Thea Proctor, porcelain sculpture of Dr. John Yu, Pat Mackie, the Kylie Minogue exhibition and more.

Portrait 58

Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.

Portrait 31

This issue features the new National Portrait Gallery building, James Cook and John Banks, Cate Blanchett, Irina Baranova, Annette Kellerman, Shepard Fairey and more.

Portrait 40

This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.

Portrait 41

This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.

The Quiet Australian

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

The man behind the art

Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.

In the National Interest

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

Observation point

I wanted to be a journalist. I was very idealistic and I had a big chip on my shoulder. I wanted to investigate the human condition, drawing attention to those in need with the hope of someday effecting positive change.

Cook in context

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

Intense identity

Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.

Unboxed

Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.

Sketches and sermons

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Reflection

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

All there in black and white

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

My Favourite Australian

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

101 photographic portraits

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

No shirt, no service

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Who's that?

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

The animating signature

Joanna Gilmore delights in the affecting drawings of Mathew Lynn.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Crikey!

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

An Intimate Portrait of an Australian Artist in 1930

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Feel the music

Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.

Portrait 65

Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.

The Good Doctor

Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.

Australians in Hollywood

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Drawing power

The National Portrait Gallery joins the Big Draw, a program dedicated to promoting drawing as a tool for thought, creativity, social and cultural engagement.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Alternative virtue

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

The highest honour

Bringing eminent scientist Frank Fenner and artist Jude Rae together for the National Portrait Gallery commission was like matchmaking.

Missionary positions

Stella Ramage on Father McHardy’s Bougainville portraiture.

The intellectual larrikin

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

Star signs

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

In the round

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

Dan the man

Martin Philbey’s portrait of Dan Sultan.

Pretty in peach

Apollo's breath

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Hump days

Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.

Super League

The portrait of Ian Roberts by Ross Watson.

A bond of friendship

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

Poison pen

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

The Fairfax Gift

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

A Meeting of Great Minds

The story behind Rick Amor's portrait of Professor Peter Doherty.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Celebrity cutpurse

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Start Your Engines...

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

The Story So Far...

A reflection on the National Portrait Gallery's first four years.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Aussies all

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Glamour vs grunge

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

The Dissecting Room

Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture. 

The essence of you

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Post digital

Tegan McAuley looks at the evolution of video portraiture.

How to be a boy

Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

To the end of the earth

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

It's a Mora!

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Cool cool world

Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.

In a good paddock

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Velasquez Touch

Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.

The family scene

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Old Blighty

Angus Trumble ponders the many faces of William Bligh.

Listening to form

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

Thinking about architecture and portraiture

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

The aviatrix

Joanna Gilmour explores the extraordinary life of Australian female aviator Nancy Bird Walton AO OBE

The more things change

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Virtual lives

A brief introduction to the Weird, Wired World of Internet Portraiture.

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Face the music

Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.

The line of fire

Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.

In the thick of it

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Suave

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Hot Scots

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Big bouquet of Blackmans

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Off the wall

Courage, Self-analysis and Skill

The story behind George Lambert's Self-portrait with Gladioli.

Arthur as Alyosha?

Patrick McCaughey explores a striking Boyd self portrait.

Duty bound

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Mental as everything

Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.

Big shots

Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.

Imagination

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

Little women

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

The existential lens

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Picture this...

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Chance encounter

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

Hired guns, bounty hunters and horse whisperers

Jude Rae contemplates the portrait commission.

Shiny, happy people

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

A potpourri of portraits

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

9 lives of Karin Catt

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

Promise Fulfilled

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Doodles of the Diva

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Painters' paradise

Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.

Through thick and thin

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Empire records

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

Canadian identities

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Money for Myth

Australian character on the market by Jane Raffan.

Diamond Doll

Karen Vickery delights in a thespian thread of the Australian yarn.

Earth to earth

Dr Sarah Engledow discusses the recent gift of works by David Campbell.

Why do painted portraits still matter?

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Facing Facts

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

The shipwright's arms

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Four from the 30s

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Myself and Eye

Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.

The jungle look

David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.

Self-effacing

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

Reflections on portraiture

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

The inner voice

Dr Christopher Chapman, curator of Inner Worlds: Portraits & Psychology looks at Albert Tucker's Heidelberg military hospital portraits.

The art of conciliation

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

The portrait writ large

Karen Vickery on Chang the Chinese giant in Australia.

Material culture

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Back in black

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

Mrs Cameron and the V&A

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Confessional conversations

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Great Scots

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Heartfelt

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

The last word

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

Surface tension

Joanna Gilmour on the National Photographic Portrait Prize 2013.

The life of Bryant

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

The catechist and the cricketer

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Me Myself I

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.

Corporate Characters

A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.

Lovingly observed

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Is the truth of portraiture vested exclusively in likeness?

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Study in scarlet

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Beguiling impressions

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Flesh, figure and rock

Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.

Black and white history

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

For the boys

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

I'm not there

The long game

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Public hanging

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Painting mates

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Sitter still

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Flash mob

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Love my way

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Desperately seeking Sonia

Esther Erlich’s portrait of Lady McMahon.

The real Thea

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Small worlds

Bess Norriss Tait created miniature watercolour portraits full of character and life.

A sketch for some portraits

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Speed demon

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

Technical terminology

Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.

The silent partner

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

First encounters

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

A rogue's calling card

Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.

Abstraction and figuration

James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.

The Lawrence lustre

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Good, bad and the ugly

Michael Desmond explores what makes a portrait subject significant.

Adam’s Prize Apples

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

The Multifarious Career of George Selth Coppin

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

Finding Mrs Frisby

Robyn Sweaney's quiet Violet obsession.

Painting them gently

Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.

Mother’s muse

Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Past present

Krysia Kitch celebrates Oodgeroo Noonuccal.

The Wentworths – Hidden in Plain Sight

Grace Carroll on the gendered world of the Wentworths.

Their brilliant careers

Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.

Illuminating history

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Australia’s great internationalists

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

High & Bligh

Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.

Hard truths

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

You beauty

Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.

The activist A-list

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Cultural kaleidoscope

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Starry knight

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

Through blue eyes

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Mugshots

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Demimonde liaisons

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Off her own bat

Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.

Jewelled nights

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Queen of cartes

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Political profiles

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

Generous Janice

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Painting writing

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Prima facie

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

You are who?

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.