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In the shower, 2006

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

The 'I' in Indigenous art

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Money for Myth

Australian character on the market by Jane Raffan.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Demimonde liaisons

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.

Weight of the Mind's Periapt

A nose by any other name

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

Jane Windeyer, 1885

Collection: National Portrait Gallery
Gift of the Windeyer family 2012

Pen power

Politics and personae in the portraiture of TextaQueen by Jane Raffan.

Jane Windeyer, n.d.

Collection: National Portrait Gallery
Gift of the Windeyer family 2012

Jane Kennerley (née Rouse), c. 1850

Gift of Pamela Glasson 2009
Collected by Leila Haigh (nee Rouse)

Clive Blazey, 2004

Collection: National Portrait Gallery
Gift of the artist 2005

Listening to form

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

Jane Mander Jones, 1853

Gift of Susanna de Vienne, Sarah Wood and David Lloyd Jones 2009. Donated through the Australian Government's Cultural Gifts Program.

Fanny Jane Marlay, c. 1841

Purchased 2013

Maria Dowling and her children Leura, Bessie, Selina, Jane, Jack, Ben and Joe Dowling [Selina Dowling, Jane Dowling, Maria Jane Dowling (née Ware), John Ware Dowling, Joseph Dowling, Benjamin Dowling, Elizabeth (Bessie) Dowling, Leura Dowling], c. 1859

Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.

Lady Franklin, c. 1850

Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012

Maria Jane Dowling, c. 1862

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

Jane Franklin, c. 1866-1875

Collection: National Portrait Gallery
Purchased 2018

Jane Campion, 2009

Purchased 2011

Kath & Kim

Portrait of Heidi Middleton and Sarah-Jane Clarke (Sass & Bide), 2008

Commissioned with funds provided by Marilyn Darling AC 2008

Jimmy and Jane Barnes, 2020

Purchased 2021

Jimmy & Jane Barnes and Jesse Lizotte

Jimmy & Jane Barnes with photographer Jesse Lizotte on collaborating and making their photograph in a bed of roses.

Duty bound

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Jimmy and Jane Barnes

Recorded 2022

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Dowling family portrait [Selina, Jane, Leura and Elizabeth (Bessie) Dowling], c. 1862

Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.

MacKenzie family silhouette, 1846

Gift of the Estate of Nancy Wiseman 2007

Jane’s conviction

Stand by your man

Louise Jane Jopling (née Goode, later Rowe)

Look at moy!

Foxy ladies’ fame, friendship

John Patten (Johnny Jarrett), 1958 Australian bantamweight boxing champion, 2017

Art Handlers' Award

The Art Handlers' Award for 2022 went to Weight of the Mind's Periapt, 2021 by Jane Allan.

Sir John Franklin, c. 1845

Collection: National Portrait Gallery
Purchased 2010

Alexander Maurice Ramsay, 1978

Gift of Janet, Andrew, Kathryn and Eleanor Ramsay, daughters and son of Alexander Maurice Ramsay and Amy Jane Ramsay 2010. Donated through the Australian Government's Cultural Gifts Program.

Charmed by the Rose

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

Bern Emmerichs

Born: 1961, Melbourne
Works: Melbourne

David Jones, 1853

Gift of Susanna de Vienne, Sarah Wood and David Lloyd Jones 2009. Donated through the Australian Government's Cultural Gifts Program.

Australian Love stories

Reconnect and reflect with our new major exhibition, Australian Love Stories (in real life!) as we explore love, affection and connection in all its guises.

Cooey! An Australian Song

"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.

Portrait 57

The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.

A head for business and a heart for love

For love, not money

All at sea

Tiny token, big love

Miss Elizabeth Roberts, 1830

Purchased 2013

A passion eating into your vitals

The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.

The Brontë Sisters (Anne Brontë; Emily Brontë; Charlotte Brontë)

Portrait of Sir Joseph Banks, president of the Royal Society, 1812

Collection: National Portrait Gallery
Purchased 2010

Sir Joseph Banks, 1802

Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010

Self portrait, 1909

Purchased with funds provided by Barbara and Jim Higgins 2010

Sir John Franklin, c. 1846

Collection: National Portrait Gallery
Purchased 2015

Dr Phillip Law, 1974

Gift of Dr Phillip Law 2000. Donated through the Australian Government's Cultural Gifts Program.

Intimacy

In experiencing intimacy the human mind wrestles with the impossible task of being as one with another. Sculptor Sam Jinks unites the textures of the human body and human emotion in these works addressing moments of intimacy.

Captain John Lort Stokes, c. 1841

Collection: National Portrait Gallery
Purchased 2013

Glenn McGrath, 2003

Gift of the artist 2003

Frances Alda, 1912

Purchased 2007

Mick Molloy, 2009

Collection: National Portrait Gallery
Gift of the artist 2009

Frances Alda, 1918

Collection: National Portrait Gallery
Gift of Roger Neill 2006

Very fine and very like

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

Henry Chamberlain Russell and family at Sydney Observatory, c. 1895

Gift of Joanna Russell Maher (née Windeyer) 2018

Little Darlings Youth Portrait Prize 2022

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘identity’, students painted, drew, photographed, printed or combined all of these to make their portrait.

Sir Ernest Fisk, n.d. (after 1937)

Collection: National Portrait Gallery
Gift of Mrs Jane Fisk 2012

Autumn in Canberra

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.

Kerry Walker, c. 1979

Collection: National Portrait Gallery
Gift of the Estate of Stuart Campbell 2012

Portrait 50 hits the shelves

With contributions from Julia Gillard, Fiona Gruber, and Dr Karl James, the National Portrait Gallery’s 50th edition of Portrait has something for everyone.

Jessie Robertson, c. 1849

Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013

Annual Appeal

Magda Szubanski, 1997 (printed 2021)

Purchased with funds provided by Jillian Broadbent AC 2021

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

2020 Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Australian Love Stories

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

National Photographic Portrait Prize 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

National Photographic Portrait Prize 2018

Images for media use will be available from 8 March 2018.

Time and light

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Husbands and Wives

'I have just been to my dressing case to take a peep at you.

The Pavlova

It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.

Uncommon Australians

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Bewitching

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Darren McDonald

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Material culture

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Conflicting images

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Black and white history

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

The essence of you

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Portrait Donors

Public hanging

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Small worlds

Bess Norriss Tait created miniature watercolour portraits full of character and life.

Speed demon

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

The bright-eyed Mariner

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

The silent partner

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Icons and imagery

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Moving still

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.

Drawing inspiration

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Robyn Sweaney

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

In the flesh

An exhibition of humanness in ten themes by Penelope Grist.

The catechist and the cricketer

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.

Little women

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Naked nostalgia

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

Prima facie

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Christmas Island

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.