Sir (Aynsley) Eugene Goossens (1893-1962) was an English conductor, composer and violinist.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003
Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.
Michael Desmond explores what makes a portrait subject significant.
‘Scandalous conduct’
Rosaleen Norton (1917-1979) self-proclaimed witch and artist, is now best remembered as the woman whose perverse influence contributed substantially to the downfall of conductor Eugene Goossens.
1 portrait in the collection
Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.
Collection: National Portrait Gallery
Gift of Lewis Morley 2004
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Barry Tuckwell AC OBE (1931-2020), horn soloist, conductor, teacher and author spent his early years in Melbourne, where he learned a variety of instruments including piano and violin.
1 portrait in the collection
Malcolm Benjamin Graham Christopher Williamson AO CBE (1931–2003), composer, was born in Sydney, and was educated at Barker College, Hornsby, and then at the Sydney Conservatorium of Music, where he studied piano and French horn as well as composition under Sir Eugene Goossens.
1 portrait in the collection
Fradelle & Marshall was a photographic and miniature-painting partnership between Albert Eugene Fradelle & William Shury Marshall, who maintained two studios in Regent Street, Westminster, London from 1872 to 1876.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of David Tuckwell 2018
Natasha Johnston (1914-1984) was born Nataliya Konstantinovna Bagration-Moukhranskya, Princess Natasha Bagration, in Crimea.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Hugo Vickers 2005
About the exhibition curator Claire Roberts, and writers Eugene Wang and Zhang Letian.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
An interview with the photographer.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Phil Manning celebrates a century of Brisbane photographic portraiture.
