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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Rose Lindsay

Charmed by the Rose

Magazine article by Anthony Browell, 2004

Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.

Lionel Rose, World Champion Bantam Weight Boxer before departing to the USA to defend his title

The champs

Magazine article by Dr Christopher Chapman, 2008

Two lively portrait photographs reflect the agility of their subjects: world champion Australian sportsmen Lionel Rose and Anthony Mundine.

Peace, the Man and Hope (Anthony Mundine), 2005 by Brook Andrew and Larry Rawling (printer)

In focus

Magazine article, 2017

Brook Andrew, Marcia Langton and Anthony Mundine.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Marcia Langton

Powerful energy

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman explores the symbolism in the portrait commission of Marcia Langton by Brook Andrew.

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Self portrait, c.1900


Magazine article by Michael Rosen, 2013

British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.

Personal Hygiene, 2007

Shifting pixels

Magazine article by Gillian Raymond, 2007

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

Head of a Naked Girl, 2000

Every flap, fold and bulge

Magazine article by Starr Figura, 2008
Lucian Freud's unflinching realism is on display in the first solo exhibition of his paintings and etchings at The Museum of Modern Art, New York.
M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

The Jester (self portrait)


Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).


Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

Audience in the Palace Theater c1943

Exposed: Voyeurism Surveillance and the camera since 1870

Magazine article by Sandra Phillips, 2010

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.

Leigh Bowery in Fur Coat


Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Dave Graney

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

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Canberra, ACT 2600, Australia

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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency