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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Director John Duigan and actor Judy Davis on the set of ‘Winter of our Dreams’, Sydney, 1981 by Robert McFarlane

Natural born stiller

Magazine article by Penelope Grist, 2016

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

About Face article

Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Naked nostalgia

Magazine article by Penelope Grist, 2016

Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Bare

Degrees of undress
Previous exhibition, 2015

Bare: Degrees of undress celebrates the candid, contrived, natural, sexy, ironic, beautiful, and fascinating in Australian portraiture that shows a bit of skin. 

Lovers And Luggers : Publicity Shot featuring Shirley Ann Richards Lloyd Hughes And Elaine Hamill (1937)

Starstruck

Australian Movie Portraits
Previous exhibition, 2017

Striking, beautiful portraiture comes out of the most thoroughly documented creative process there is – filmmaking. In a ground-breaking collaboration the National Portrait Gallery and National Film and Sound Archive invite you into this captivating realm between real and fictional worlds. 

Ryder Jack Susman in a Williamstown hairdresser by Abigail Varney

PROMO

Portraits from prime time
Previous exhibition, 2014

This exhibition goes behind-the-scenes and into the spotlight with professional photographers and the stars of Australian television, music and comedy. Whether negotiating the logistics of a big publicity shoot or quietly capturing moments on set during filming, the photographers' stories are intriguing and compelling.

Eugene Lane

Starstruck: On Location

Australian Movie Portraits
Touring exhibition, 2019

Striking, beautiful portraiture comes out of the most thoroughly documented creative process there is – filmmaking. In a ground-breaking collaboration the National Portrait Gallery and National Film and Sound Archive invite you into this captivating realm between real and fictional worlds. 

Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

The Bare story

General content

Curator, Penny Grist, reveals how this exhibition came to be

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

© National Portrait Gallery 2021
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency