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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ningali Lawford-Wolf, 1996 (printed 2016)

Stuart Spence
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2016

Blue Wolf, 2014

by Imogen Henry
General content

Finalist, MDPA 2014

Wolf Blass, Wolf Blass Wines, n.d.

Joe Greenberg
Portrait, watercolour, crayon, coloured pencil, fibre-tipped pen and gouache on paper

Collection: National Portrait Gallery
Gift of the artist 2001

Powerful Indigenous women

Magazine article by June Oscar AO, 2017

June Oscar AO lauds three iconic Aboriginal figures in the Portrait Gallery collection who have inspired and influenced her.

Surfing, Noosa, 1970s Stuart Spence

The play’s the thing

About Face article

Penelope Grist charts an immersive path through Stuart Spence’s photography.

Florence Cardell-Oliver,

Broothorn Studios
Portrait, gelatin silver photograph on paper laid on photography studio backing board

Collection: National Portrait Gallery
Gift of Chris Nielsen 2016

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Director John Duigan and actor Judy Davis on the set of ‘Winter of our Dreams’, Sydney, 1981 by Robert McFarlane

Natural born stiller

Magazine article by Penelope Grist, 2016

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Staying home

True south #2
About Face article

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Jack With Flossy, 2016 by Anna Culliton

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency