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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Jane Windeyer

Jane Windeyer

Jane Windeyer (1865–1950) was the second eldest daughter of politician and judge Sir William Charles Windeyer (1834–1897) and his wife, Mary (née Bolton, 1837–1912), a leading campaigner for women’s rights.

2 portraits in the collection

Jane Kennerley (née Rouse)

Jane Rouse

Jane Kennerley (nee Rouse) was born in Parramatta and in 1834 married Alfred Kennerley (1810-1897) who, like Jane's father, owned large amounts of land in western Sydney and on the Cudgegong River.

1 portrait in the collection

Jane Franklin

Jane Franklin

Jane Franklin (née Griffin, 1791–1875) came to Van Diemen’s Land in 1837 following the appointment of her husband, Sir John Franklin, to the position of lieutenant-governor of the colony.

2 portraits in the collection

Jimmy and Jane Barnes

Jane Barnes

Jane Barnes (b. 1958), musician, was born in Bangkok. After her parents' divorce, she spent her childhood travelling around the world with her diplomat stepfather, mother and two sisters, living in Australia, Italy, Russia, New Guinea, Kiribati, Malta and Malaysia.

1 portrait in the collection

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Jane Varkulevicius

Jane Varkulevicius is the Catalogues Manager of the Digger's Club. Although not a professional photographer she has taken a number of images for the Digger's Club and its associated publications.

1 portrait in the collection

In the shower, 2006 by Jane Burton

In the shower, 2006

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Sarah Bernhardt, 1876 by Georges Clairin

Demimonde liaisons

Magazine article by Jane Raffan, 2017

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.

Nose, 2008–10 by William Kentridge

A nose by any other name

Magazine article by Jane Kinsman, 2013

In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.

Weight of the Mind's Periapt, 2021 Jane Allan

Weight of the Mind's Periapt

Fanny Jane Marlay

Fanny Jane Marlay

Fanny Jane Marlay (1819–1848), was the second-eldest daughter of military officer, Edward Marlay (1792–1839).

1 portrait in the collection

Portrait of Heidi Middleton and Sarah-Jane Clarke (Sass & Bide)

Sarah-Jane Clarke AM

Sarah-Jane 'Sass' Clarke AM (b. 1974) and Heidi 'Bide' Middleton AM (b.

1 portrait in the collection

Jane Campion

Jane Campion DNZM

Jane Campion DNZM (b. 1954), director, producer and screenwriter, is the first woman to win the Palme d'Or at Cannes and the second woman to be nominated for the Academy Award for Best Director, both for her acclaimed film The Piano (1993).

1 portrait in the collection

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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