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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Sir Hartley Williams

Sir Hartley Williams

Sir Hartley Williams (1843–1929), judge, was the third child and second son of Edward Eyre Williams and his wife, Jessie.

1 portrait in the collection

Sir Hartley Williams

Sir Hartley Williams

Sir Hartley Williams

Sir Hartley Williams, c. 1871

Johnstone O'Shannessy & Co

Portrait, albumen silver photograph, hand coloured on paper

Gift of Ross and Judy O'Connell 2016

Edith Ellen Williams

Edith E. Williams

Edith Ellen Williams (nee Horne, (1851–1885) was the first wife of Hartley Williams (1843–1929), a Victorian Supreme Court judge from 1881 until 1903.

1 portrait in the collection

Portrait of Lady Eyre Williams (Jessie Gibbon)

Lady Jessie Eyre Williams

Jessie, Lady Eyre Williams (neé Gibbon, 1815-1903), colonial spouse, was the daughter of an Aberdeenshire clergyman.

1 portrait in the collection

Portrait of Lady Eyre Williams (Jessie Gibbon)

Portrait of Lady Eyre Williams (Jessie Gibbon)

Portrait of Lady Eyre Williams (Jessie Gibbon)

Portrait of Lady Eyre Williams (Jessie Gibbon), 1833

Claude-Marie Dubufe

Portrait, oil on canvas

Purchased 2009

Edith Ellen Williams

Edith Ellen Williams

Edith Ellen Williams

Edith Ellen Williams, c. 1871

Johnstone O'Shannessy & Co

Portrait, albumen silver photograph, hand coloured on paper

Gift of Ross and Judy O'Connell 2016

Hilda Heley, 2015 Peter Wegner

Drawn from life

Magazine article by Penelope Grist, 2021

Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.

Camouflage self portrait, 1986

Hide/Seek

Magazine article by David Ward, 2010

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Alexander Pearce
executed for murder
July 19th 1824

Public hanging

Magazine article by Michael Desmond, 2008

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Self portrait, 1980
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency