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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Navins of Bollywood, 2006 by Navin Rawanchaikul

Navin Rawanchaikul

by Christine Clark

Navin Rawanchaikul has built his practice around explorations of the transient nature of identity in a globalised world, and draws much of his material from his own experiences.

Open your mouth, 2002 by FX Harsono

FX Harsono

by Christine Clark

FX Harsono was born in 1949, just as the independence of the Indonesian nation was being established.

Ang Retabla Rizalista (Relikaryo ni Arnulfo Tikb-ang) 2011 The Rizalian Retablo (Reliquary by Arnulfo Tikb-ang)
by Alwin Reamillo

Alwin Reamillo

by Christine Clark

Alwin Reamillo was born in Manila, Philippines in 1964. He studied painting at the University of the Philippines College of Fine Arts, and began his career as a visual art teacher at the Philippine High School for the Arts.

Self portrait with pug, 2009 by William Robinson
QUT Art Collection
Donated through the Australian Government’s Cultural Gifts Program by William Robinson, 2015

William Robinson

Explore The Popular Pet Show

Unique in the world, perhaps, is a bronze sculpture that fuses the age-old human portrait bronze tradition, and the later genre of the bronze pug figurine: that’d be William Robinson’s Self-portrait with pug.

Billy Mann 1963 by Larry Clark

Larry Clark

General content

Larry Clark's black-and-white documentary images of young outsiders reveal raw feelings.

Leaving Lost, 2013

by Frazer Bull-Clark

General content

Finalist, MDPA 2013

William Robertson and Martha Mary Robertson

A charming prospect

Nearest & Dearest

Family fortunes

William Bligh

Image downloads

Welcome home, Captain Bligh

Hi-resolution images for media representatives, password required.

Spencer 2016, by Warwick Baker

Tough & Tender Media Release

Archived media releases 2016

Photographs from internationally acclaimed artists Robert Mapplethorpe, Larry Clark, Nan Goldin, Collier Schorr and Chris Burden along with contemporary Australian artists, Rozalind Drummond and Warwick Baker will call the National Portrait Gallery home during our extraordinary winter exhibition Tough and Tender.

Kate

Kate

The two portraits that I've chosen to compare and contrast and to bring together a self portrait by John Brack in 1955, and William Yang, Self Portrait #2.

William Bligh

Welcome home, Captain Bligh

Archived media releases 2015

The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.

Graham Sylvester's crowd, Sydney Gay & Lesbian Mardi Gras, 1983 William Yang

From riot to revelry

Nearest & Dearest

Pride, protest, panache

Kid A, 2014 by Joshua Morris

Swimming every day

NPPP 2015 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.

Tim Winton

2020 Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Angus Trumble and David Hansen

National Portrait Gallery Director's tenure ends in triumph

30 November 2018

Archived media releases 2018

National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.

The Lambert

The Lambert

Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency