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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882
'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882
'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882

'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882, 1882

an unknown artist
Portrait, engraving on paper (2 sheets)

Collection: National Portrait Gallery
Purchased 2009

Paquita Mawson
Paquita Mawson
Paquita Mawson

Paquita Mawson, late 1940s

Ingrid Erns
Portrait, oil on canvas

Gift of Gareth Mawson Thomas and Pamela Karran-Thomas of the Mawson family 2010. Donated through the Australian Government's Cultural Gifts Program.

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #5 Garrett in landscape
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #5 Garrett in landscape
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #5 Garrett in landscape

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #5 Garrett in landscape, 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark pigment with alum on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Self portrait

Elegance in exile

Portrait drawings from colonial Australia
Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

Thomas Sutcliffe Mort and his wife Theresa
Thomas Sutcliffe Mort and his wife Theresa
Thomas Sutcliffe Mort and his wife Theresa

Thomas Sutcliffe Mort and his wife Theresa, c. 1847

an unknown artist, Thomas Warton
Portrait, daguerreotype on in a pinchbeck case

Collection: National Portrait Gallery
Purchased 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium
Preparatory study for 'Nothing's as precious as a hole in the ground'.  N.T. Ranger Uranium

Preparatory study for 'Nothing's as precious as a hole in the ground'. N.T. Ranger Uranium, 2001

eX de Medici
Portrait, pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Nothing's as precious as a hole in the ground, 2001

eX de Medici
Portrait, mangrove bark pigment, watercolour and gouache on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #4 Broadhead and wing pattern

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #4 Broadhead and wing pattern, 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. 'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3, 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #2 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #2 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3
Preparatory study for 'Nothing's as precious as a hole in the ground'.  M.O. Ranger 3

Preparatory study for 'Nothing's as precious as a hole in the ground'. M.O. Ranger 3, 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.
Preparatory study for 'Nothing's as precious as a hole in the ground'.  Test #1 Ranger 3 pit mine Kakadu, N.T.

Preparatory study for 'Nothing's as precious as a hole in the ground'. Test #1 Ranger 3 pit mine Kakadu, N.T., 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency