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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The hand of Captain Cook

Google Arts and Culture
Learning resources

Take a close look at a portrait with a hidden message in its hands. For Year 7 – 9 students.

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

A head for business and a heart for love

Lust

For love, not money

The last bushrangers

It's Complicated

Brothers in harms

Welcome home, Captain Bligh

27 March 2015
Archived media releases 2015

The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

The Hinders: doyens of Australian modernism

Passion

Progressive partnership

Who is Lillie Roberts?

Devotion

Talented wife for a talented husband

Convict love token from J. Waldon, 1832

To coin a (farewell) phrase

Devotion

A penny for their thoughts

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

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Partners

Corporate Support

We are grateful to our supporters who help us care for, exhibit and study the Gallery's Collection and to offer programs that bring our portraits to life.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores
Artist essays

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

Ngalim-Ngalimbooroo Ngagenybe, 2018 Shirley Purdie

Presenting… Shirley Purdie’s Ngalim-Ngalimbooroo Ngagenybe

Wednesday 27 May 2020
Media

The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

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Portrait Donors

Listed by year
Honour board
© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency