Skip to main content

Ticketed entry is in place to safely manage your visit so please book ahead. Need to cancel or rejig? Email bookings@npg.gov.au

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Omega, 2013 by Robin Eley

Robin Eley

More about In the flesh artists

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.

Chris Wallace-Crabbe, 2011 Kristin Headlam

2014-15 Supporters

Annual Appeal 2020

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Walking in tall grass, Lucy, 2010 by Jan Nelson

More about In the flesh artists

General content

The exhibition features work from Jan Nelson, Natasha Bieniek, Patricia Piccinini, Juan Ford, Petrina Hicks, Ron Mueck, Yanni Floros, Sam Jinks, Michael Peck and Robin Eley.

Reg Richardson AM, 2014 Mitch Cairns

Grow the Portrait Gallery of Australia 9 June 2016

Archived media releases 2016

The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.

The Assumption of Virginity, 2014 video: 1 minute

The Assumption of Virginity, 2014 by Xanthe Dobbie

General content

Finalist, MDPA 2014

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Divide, 2011 by Sam Jinks

In the Flesh 15 October 2014

Archived media releases 2014

Press releases and image downloads for media.

Lady Jessie and Sir Donald Bradman, Kensington Park, Adelaide, South Australia, 1992-93 (printed 2019) Robin Sellick

A good innings

Devotion

Childhood sweethearts

Basil steps out, 2016 by Kristin Headlam
Courtesy the artist and Charles Nodrum Gallery

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

image not online

Portrait Donors Listed by year

Honour board
Portrait of Mrs Tom Roberts, 1910 Tom Roberts

2013-14 Supporters

Annual Appeal 2020

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Still Life (Pieta), 2007 by Sam Jinks

More about In the flesh

General content

In the flesh is realised through moments of intimacy, empathy, transitions in life and the transience of life, vulnerability, alienation, restlessness, self-reflection, mortality and acceptance.

Reg Richardson AM, 2014 Mitch Cairns

2015-17 Supporters

Annual Appeal 2020

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Scone, 2010 by Darren McDonald
Private collection, Melbourne and courtesy of Scott Livesey Galleries

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Zed, from the series Walking the dog, 2005 by Robyn Sweaney

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Self portrait, 2005 Rick Amor

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

We would like to thank our partners.
© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.