Skip to main content

Ticketed entry is in place to safely manage visits to the Gallery, so please book ahead.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gladiators (Norm Provan and Arthur Summons), 1963 (printed 1970s) John O'Gready

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Study for self-portrait, 1963

Inside outside

Magazine article by Michael Desmond, 2010

Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.

The hunting lodge, 2007

Seduce Amuse Entertain

Magazine article by Michael Desmond, 2007

Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Facing Australia, Composite portrait: Facing St Lucia, 2003

Conflicting images

Magazine article by Michael Desmond, 2008

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Damon, singer, 2000 by Julian Opie

Movement is my radar

Magazine article by Michael Desmond, 2015

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Lucy, 2001

Technical terminology

Magazine article by Michael Desmond, 2010

Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.

Dr Peter Farrell, 2001 Salvatore Zofrea OAM

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

Guns and roses, 2006

Obey

Magazine article by Michael Desmond, 2009

Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.

Martin Schoeller 2008

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Potters' Portrait Pot, 2009 Hermannsburg Potters

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Frame from Self portrait, 2008

I walk the line

Magazine article by Michael Desmond, 2009

Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.

We would like to thank our partners.
© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.