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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Untitled from The Other Shore 2014-15, by Wei Leng Tay

Insight and identity

Magazine article by Olivier Krischer, 2016

Olivier Krischer in conversation with photographer Wei Leng Tay.

Radical Restraint 
Justice Michael Kirby

A gift from the heart

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

Daddy Cool, Melbourne

Now Listen...

Magazine article by Simon Elliott, 2005

Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.

Commander Skyring, Gang-gang cockatoo by Leila Jeffreys

A real tweet

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow plays wingman to Leila Jeffreys.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Quong Tart, 1880s

Finest quality

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
On the wall - Guangzhou (II), 2002

Go Figure!

Magazine article by Claire Roberts, 2013

Claire Roberts interviews Swiss art collector Uli Sigg.

Janice Wakely

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Lady Barkly

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency