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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.

Dame Helen Blaxland
Dame Helen Blaxland
Dame Helen Blaxland

Dame Helen Blaxland, 1986

Max Dupain OBE
Portrait, gelatin silver photograph on paper

Gift of Danina Dupain Anderson 2021. Donated through the Australian Government's Cultural Gifts Program.

Bill Dyson and Rose, Northwood

Norman and Rose: lifelong love

Lust

The ravishing muse

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Gail Kelly

Gail Kelly, 2018

by Paul Newton
General content

Commissioned with funds provided by Westpac Group and Optus 2018

Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

by Andrew Bonneau
General content

Commissioned with funds provided by Ross Adler AC 2018

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Chance meeting, 1940-41 by Martin Lewis

Nocturnal animals

Magazine article by Joanna Gilmour, 2017

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Julian Ashton Life Class
Julian Ashton Life Class
Julian Ashton Life Class

Julian Ashton Life Class, 1920

Harold Cazneaux
Portrait, gelatin silver photograph on paper

Purchased 2015

Self portrait
Self portrait
Self portrait

Self portrait, 1921

Thea Proctor
Portrait, lithograph on paper

Purchased with funds provided by the Ross family in memory of Noel and Enid Eliot 2013

Self portrait
Self portrait
Self portrait

Self portrait, 1965

Jean Appleton
Portrait, oil on masonite

Gift of the Estate of Nicolaas van der Waarden 2013

Study for self portrait
Study for self portrait
Study for self portrait

Study for self portrait, c. 1965

Jean Appleton
Portrait, oil on masonite

Collection: National Portrait Gallery
Gift of Laurie Curley OAM and Mrs Robyn Curley 2012

Julian Rossi Ashton
Julian Rossi Ashton
Julian Rossi Ashton

Julian Rossi Ashton, 1933

Eric Wilson
Portrait, charcoal on paper

Collection: National Portrait Gallery
Gift of Philip Bacon AM 2012

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency