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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Henry Lawson, c. 1919 Lionel Lindsay

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Portrait of Henry Vernon Crock AO, 1988 David Smith

Private practice

Magazine article by Joanna Gilmour, 2008
David Smith portrayed Dr Henry Crock without the accoutrements of an orthopaedic surgeon, adding to the National Portrait Gallery's collection of eminent Australian medical practitioners.
Self portrait, 1645

The considered life

Magazine article by Andrew Sayers AM, 2010

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Portrait 27 March - May 2008

Magazine

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Portrait of an English Woman c. 1532-5 (detail)

A new perspective

Magazine article by Celina Fox, 2006

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Sappho, 1865

Mrs Cameron and the V&A

Magazine article by Magda Keaney, 2003

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Portrait of William Manning, c.1821 by Henry Bone

Of beef in burgundy

Magazine article by Angus Trumble, 2017

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

Sir Sidney Kidman, 1932 Samuel Woolf

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Swimming with Platypus, 2009

Someone to watch over you

Magazine article by Carrie Kibbler, 2013

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

Joan Croll, 1976 John Brack

String of Pearls

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

The Jester (self portrait), 1923 Lionel Lindsay

Bloodlines

Magazine article by Michelle Fracaro, 2004

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Betty Cuthbert, 1955 (printed 2003) Ern McQuillan

Hop, skip, shoot

Magazine article by Simon Elliott, 2004

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

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© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.