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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Lady Eyre Williams (Jessie Gibbon)

Here’s looking at you, kid

Devotion

Is he thinking of me?

Reg Richardson AM

2015-17 Acquisition Fund

Annual Appeal

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Turia Pitt

2021 Annual Appeal

Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century. 

Chris Wallace-Crabbe

2014-15 Acquisition Fund

Annual Appeal

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

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Donors

$10,000 - $49,999
Honour board
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Annual Appeal

Listed by year
Honour board
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Supporters

$5,000 - $9,999
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Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Jack With Flossy, 2016 by Anna Culliton

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Self Portrait (the year my husband left), 2008 by Jude Rae

Jude Rae

Explore The Popular Pet Show

Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Emitt sitting, 2001 by Lucy Culliton

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

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Portrait Donors

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© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency