The story behind George Lambert's Self-portrait with Gladioli.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
George Foxhill's self portraits were the subject of a small focus display at the National Portrait Gallery in 2006.
Tedi Bills talks to George Gittoes about canvassing conflict.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Portrait launch of Major-General Paul Cullen AC CBE DSO and Bar ED (Rtd) and George Judah Cohen.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
This issue of Portrait Magazine features articles on Dame Elisabeth Murdoch, George Lambert's self-portrait, Professor Peter Doherty, the man behind the Dr. Who theme, and more.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Peter Brew-Bevan discusses two experiences where his plans for his portraits produced surprising results.
