Shakespeare to Winehouse open 9:00am–7:00pm on Thu, Fri, Sat from 7 July
Just good friends?
Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.
Commissioned with funds provided by Trent Birkett 2018
Somewhat like the Lambert but more avuncular, more businesslike, less dandified or effete – the sort of style you’d expect to see on a bank manager in the 1920s.
The Burke, The Parkes, The Lambert...
Marriage: a prolonged disaster
Desirable outcomes, undesirable origins
Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.
After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.
Commissioned with funds provided by Westpac Group and Optus 2018
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.
Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform.
Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.