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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

Portrait 66

Portrait 66

The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.

Clive James

Golden Jubilee

Magazine article by Magda Keaney, 2002

Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

William Shakespeare, c. 1600-1610 associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Ian Roberts (after Coypel 1709)

Super League

Magazine article by David Sequeira, 2004

The portrait of Ian Roberts by Ross Watson.

Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Victor Trumper

Top shot that

Magazine article by Gideon Haigh, 2009

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Jacki Weaver

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

The Long Awaited, 2008 by Patricia Piccinini

In the flesh

Magazine article by Penelope Grist, 2015

An exhibition of humanness in ten themes by Penelope Grist.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Self-Portrait, 1981 by Don Bachardy

Drawing inspiration

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency