The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
This issue features The Queen’s Diamond Jubilee portrait, Nicholas Harding, Ingvar Kenne, Laura Moore, Michael Rosen and more.
This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Alistair McGhie talks with Laura Moore about her winning digital self portrait.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
