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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Colin Madigan and Robert Hughes, Canberra

Three Dimensional

Magazine article by Kate Gollings, 2004

Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.

Portrait 44

Summer 2012/2013
Magazine

This issue features The Queen’s Diamond Jubilee portrait, Nicholas Harding, Ingvar Kenne, Laura Moore, Michael Rosen and more.

Portrait 2

December 2001 - February 2002
Magazine

This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Charlie as he was, 2007

I'm not there

Magazine article by Dr Christopher Chapman, 2008
Christopher Chapman looks at some contemporary portraits that explore the construction of identity.
Karen Gillan, 2010

Hot Scots

Magazine article by Christopher Baker, 2013

James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.

Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Still from the series Hereinbefore, 2012

Hereinbefore

Magazine article by Alistair McGhie, 2013

Alistair McGhie talks with Laura Moore about her winning digital self portrait.

King Barak, last of the Yarra Tribe, 1899

Barak, respected elder

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

Dulcie Deamer, c. 1920

Out of the shadows

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Robert Klippel

A bond of friendship

Magazine article by Yvonne Audette AM, 2005

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Mick Jagger, Madonna and Tony Curtis, 1997

The Vanity model

Magazine article by David Friend, 2009

Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency