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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

The family

c. 1955
Charles Blackman OBE

oil on board (frame: 104.5 cm x 142.0 cm, support: 91.0 cm x 122.0 cm)

Judith Wright (1915-2000) was a poet, literary critic, editor, and fiction writer, as well as an active and influential conservationist and Aboriginal rights advocate. Her poems accordingly reflect 'the love of the land we have invaded and the guilt of the invasion'. Wright met and married the journalist, playwright and bushman Jack McKinney in the 1940s, and the couple became good friends with Charles and Barbara Blackman. Meredith McKinney (b. 1950) was to become a scholar of Japanese and a literary translator. Her collaborative translations of her mother's works have been published in Australia and Japan. This work recalls a day when the Blackman and Wright/ McKinney families, both to assume great cultural significance to Australia, happily picnicked at Cedar Creek near Tamborine in the winter of 1955. It was in private collections for more than forty years before Barbara Blackman heard it was for sale through a Melbourne gallery. She purchased the painting of her 'good dear beloved long friend' especially for the National Portrait Gallery, which she has long championed. In May 2000 the two women were present at a function in the gallery to celebrate the acquisition of the work and Wright's 85th birthday. Wright died just a few weeks later.

Charles Blackman OBE (1928-2018), artist, studied at East Sydney Technical College before moving to Melbourne, where he came to the attention of art patron John Reid. With Reid's support, he began to produce his signature series of images, incorporating schoolgirls with flowers and Alice in Wonderland figures and motifs. He was a signatory to the Antipodean Manifesto (loosely, a defence of figuration against abstraction) in the early 1950s. After he won the Helena Rubinstein Scholarship in 1960, his work was shown in the important Whitechapel and Tate exhibitions in London in 1961-1962. Exhibiting prolifically throughout his career, over the 1970s he produced softer images of cats and gardens. In the early 1990s, a period during which he revisited themes of his early work, a Blackman retrospective show toured nationally. Renowned especially for his drawing, Blackman is represented in the National Gallery of Australia and all state galleries.

Gift of Barbara Blackman 2000. Donated through the Australian Government's Cultural Gifts Program.
© Charles Blackman/Copyright Agency, 2024

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.
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4 minutes 2 seconds
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Artist and subject

Charles Blackman OBE (age 27 in 1955)

Judith Wright (age 40 in 1955)

Donated by

Barbara Blackman AO (3 portraits)

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency