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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Dame Judith Anderson

1962
Don Bachardy

pen and ink and drybrush on paper (sheet: 89.0 cm x 58.0 cm)

Dame Judith Anderson AC DBE (1897–1992) was an Adelaide-born stage and film actress well known for her role as the sinister Mrs Danvers in Alfred Hitchcock's Rebecca (1940). She made her stage debut in Sydney in A Royal Divorce (1915) and two years later migrated to America. Roles on Broadway in plays such as Cobra (1924), Strange Interlude (1928–1929), Mourning Becomes Electra (1932) and Hamlet (1936) contributed to her growing reputation, but it was her performance in Medea (1948) that saw her acclaimed as America's leading stage performer and won her a Tony Award. She earned an Oscar nomination for her performance in Rebecca and went on to appear in many films including Laura (1944), And Then There Were None (1945) and Cat on a Hot Tin Roof (1958). She won an Emmy Award for her role as Lady Macbeth in the television production of Macbeth (1960). A style icon, Anderson regularly appeared in the pages of Vogue. In her late eighties Anderson was nominated for an Emmy Award for her performance as Minx Lockridge in the soap opera, Santa Barbara (1984–1987).

Artist Don Bachardy recorded many of the celebrities and artists working in Los Angeles, encouraging his sitters to autograph his portraits, as in this work.

Collection: National Portrait Gallery
Purchased 1999
© Don Bachardy

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Don Bachardy (age 28 in 1962)

Dame Judith Anderson AC DBE (age 65 in 1962)

Subject professions

Performing arts

Related portraits

1. Googie Withers, 1962. 2. Coral Browne, 1975. All Don Bachardy.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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