Bad Portraits?

 

What makes a bad portrait?

Is it a matter of style, appearance, function, a poor likeness, or something more profound?

These coins were produced a few months ago, independently commemorating the wedding of Prince William and Kate Middleton. Personally, I don’t think either one really hits the mark. Perhaps the crucial error is the transformation of  a photographic portrait to a coin, without allowing for the subtleties of composition and font seen in, for example, Stuart Devlin’s animal motifs. 

Oh, and the teeth. Lots of individually demarcated teeth. You don’t often see that in formal portraiture, and there’s a reason for it.

There are many excellent portraits resulting from that royal wedding, but I don’t think these coins are among them. What do you think?

Could you share a bad portrait with us? Post a link or insert the image in your comment – I’ll be looking forward to seeing what you can find!

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These are some fugly portraits. Alas for the monarchy!

Are Will & Kate supposed to be more approchable in this representation!?

This image below is, in my earnest opinion, a bad portrait. Would you agree?

http://www.artofobama.com/2009/01/24/unicorn-fallout-3/

Treeny ( September 22, 2011 at 12:27 PM )
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I think there are many mediums that lend themselves to a good or asthetically pleasing portrait, unfortunately a mass produced coin from a photograph is not one of them. But is the point of these portraits to be pleasing to the eye or to allow the masses to feel like they can take away a momento from an event they want to be part of? This couple’s image has been slapped on cups, tea towels, glasses etc in anticipation of a huge demand for a piece of them. However a royal portrait painted by a leading artist would not only be taylored to a diferent audience (the subjects and or the patrons) but would be in league of quality unrivaled by a 2 pound souvenir. But who can say, in a few centuries time it may be all that survives and could sit in a prime position at NPG London who knows.

Clare ( September 22, 2011 at 12:52 PM )
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Clare – I agree in part. I do however believe that it is possible to have differently skilled ‘coined designers’ – the likeness, in my opinion is just not captured.

I do believe that sometimes other factors are involved and it doesn’t rely solely on the artist’s skill… more the concept and the composition are um… off slightly!!

Case in point:
http://www.asylum.com/2009/06/17/awkward-family-photos/

http://www.aceonlineschools.com/30-awesomely-bad-school-portraits/

amos ( November 4, 2011 at 3:57 PM )
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Oh and Tattoos serve as another area of discussion ie. the coins.
One medium to another… to they relate… or even translate?
http://awfultattoos.blogspot.com/2007/06/bad-portraits.html

amos ( November 4, 2011 at 4:04 PM )
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Those are brilliant links Amos – I think I’ll expand them into a future post!

I wonder if these ‘lost in translation’ portrait examples are really statements about the mdium of photography in itself? I mean, the original photo was probably a flattering portrait, it was self-sufficient as an object and appropriate for the context.

How about the reverse then – can we take a really bad photograph of a portrait sculpture?

Sam Bowker ( November 7, 2011 at 9:35 AM )
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I think you probably can Sam, though I am having trouble thinking of any specific examples! Maybe choosing not to shoo the pigeons away….I’ll work on that. I wonder if it is more of an issue when you miss-locate a sculpture and or its physical placement compromises its intended image or message… like the tourist tradition of making sculptures comedic rather than stately. For exaple the TV addvert where a tourist was encouraged by the photographer to stretch out across the rail of a boat so the Statue of Liberty behind look like it was picking her nose.

RR ( November 10, 2011 at 12:31 PM )
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    Thanks RR – in fact, I think not shooing the pigeons away actually can make a sculpture even better!

    Here’s a photo I took just outside the Louvre in 2008:
    http://www.flickr.com/photos/sbowker/4049412134/sizes/z/in/set-72157622678453944/

    I agree about the positioning of people relative to sculptures, it tends towards the tacky. I recall signs in a Buddhist temple where visitors were asked not to pose with Buddha in their photos, presumably to avoid such incidents. However, positioning people around the Geoface is an excellent idea for visiting groups to the NPG. It’s a curvy, abstract, bold shape that lends itself to exploration and creative group portraits. It’s like the asterix at the end of a story.

    Sam Bowker ( November 10, 2011 at 1:27 PM )

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